Kemasukan pelajar ke institusi pengajian tinggi mendedahkan mereka kepada kemahiran insaniah yang penting di dalam memenuhi keperluan industri. Kemahiran Insaniah adalah merangkumi aspek kemahiran generik yang bukan akademik yang banyak di perolehi melalui aktiviti berpersatuan termasuklah kesukarelawanan. Oleh yang demikian kajian mengenai kebolehpasaran alumni sukarelawan melalui kemahiran insaniah membantu mengetahui penerimaan pihak industri terhadap kemahiran ini. Secara khususnya, kajian ini bertujuan untuk mengetahui pandangan pelajar yang menyertai aktiviti kesukarelawanan terhadap kemahiran insaniah yang terbentuk semasa mereka terlibat di dalam aktiviti tersebut.

Seterusnya, kajian ini dilakukan bagi menilai elemen-elemen kemahiran insaniah yang berjaya disemai dalam penglibatan kesukarelawan. Seramai 110 alumni telah menyertai aktiviti kesukarelawanan semasa dalam pengajian telah dipilih sebagai responden kajian.

It was in 1964 that she became famous worldwide, with Downtown, the smash hit that beat the Beatles to a Grammy and led her to be anointed “the First Lady of the British Invasion”.Īnalisis data yang bersifat kuantitatif, mendapati terdapat 3 elemen kemahiran insaniah yang dapat dibentuk sepanjang menyertai aktiviti. It went to No 1 in the US – “There was no escaping it. It cut through absolutely everything” – and Clark was quickly sucked into the upper echelons of American show business. She worked with Fred Astaire, Dean Martin, Bobby Darin and the Muppets. Steve McQueen, the King of Cool, told her he loved her in a restaurant. Meeting celebrities was exciting, she says, but “the really great people” stand out – Quincy Jones was “wonderful”, and she and Harry Belafonte “adored each other”. “I think he kind of fancied me,” she adds, somewhat bashfully. They inadvertently caused a media storm in 1968, when Clark took Belafonte’s arm during a duet for her one-hour special for NBC a Plymouth Motors advertising executive took exception to a white woman and a black man touching on television. Belafonte, a prominent civil rights campaigner, was aware of the potential consequences, but Clark was “an innocent”, she says. “I stumbled into that … I’ve never got political about anything.”Ĭlark, her husband Claude Wolff and their lawyer ordered NBC to erase the other takes so there was only the one with them touching, Belafonte casting her in his autobiography as a gleeful co-conspirator to “nail the bastard”. But Clark insists now it was an artistic decision, not a political one.

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